Already Gone by Shady Fat Kats - Album Art

Already Gone

BY SHADY FAT KATS

UnknownUNKNOWN
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About "Already Gone" by Shady Fat Kats

Song Details

Duration:3:00
Genre:Unknown
Release Year:Unknown
Views:9.5K
Likes:97

What Makes This Track Stand Out

"Already Gone" captures Shady Fat Kats's unique approach to music, blending a 120 BPM rhythm with emotionally resonant themes. The song's contemplative mood has connected with audiences seeking authentic musical expression.

Musical Characteristics

Tempo:120 BPM
Energy Level:50%
Danceability:50%

Musical Impact & Legacy

"Already Gone" represents a significant moment in Shady Fat Kats's artistic journey, showcasing their evolution within the music space. The track's thoughtful restraint demonstrates the artist's growing confidence and musical maturity.

Exploring This Music Like "Already Gone"

"Already Gone" by Shady Fat Kats represents the diverse landscape of music music, combining 120 BPM rhythms with nuanced energy that defines quality music in this genre.

What Makes This Genre Special

Music music offers a unique blend of cultural influences and musical techniques. This genre's typical tempo range around 120 BPM and contemplative approach create a listening experience that appeals to fans seeking both familiarity and discovery.

Finding Your Next Favorite

When you enjoy "Already Gone" like this, you're likely drawn to its 120 BPM rhythm and balanced atmosphere. Our recommendations focus on tracks that share these qualities while introducing you to new artists and styles within the musical landscape.

Songs Similar to "Already Gone"

Discover musical tracks that share musical characteristics with "Already Gone" by Shady Fat Kats. These recommendations are based on detailed analysis of tempo, key, energy, and genre similarities.

COMPETITIVE LANDSCAPE
AI insights into market positioning and competitive advantages

BENCHMARK ANALYSIS

Needs to improve production quality and engagement metrics to match the success of similar tracks.

MARKET DIFFERENTIATION

Needs to develop a more distinctive sonic signature and artist branding to stand out from the competition.

COMPETITIVE ADVANTAGES

High memorability score (85%)
Perfect radio-friendliness score (100%)
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INDUSTRY BENCHMARKS
Successful releases identified by AI as having similarities to this track
1
Olivia Rodrigo - good 4 u
2
Dua Lipa - Don't Start Now
3
The Kid LAROI & Justin Bieber - STAY

Detailed Music Analysis

Our AI provides comprehensive analysis of "Already Gone" including technical characteristics, commercial potential, and musical insights that help you understand what makes this track special.

ADVANCED ANALYTICS
Visual representation of audio features and technical characteristics
AUDIO FEATURES PROFILE
Energy
50%
Dance
50%
Valence
50%
Acoustic
50%
Vocal
70%
FREQUENCY DISTRIBUTION
LOW30%
MID40%
HIGH30%
COMMERCIAL POTENTIAL BREAKDOWN
75%

COMMERCIAL APPEAL

100%

RADIO FRIENDLY

100%

CROSSOVER POTENTIAL

50%

STREAMING POTENTIAL

85%

MEMORABILITY

50%

DANCEFLOOR APPEAL

TECHNICAL SPECIFICATIONS
TEMPO: 120 BPM
KEY: C major
LOUDNESS: -10.0 dB
DURATION: 0:00
SNR: 60.0 dB
THD: 1.00%
STEREO: 80%
PHASE: 0.90
AI QUALITY ASSESSMENT
Overall production, composition, and commercial potential rating
7/10
70% QUALITY
9.5K

Views

97

Likes

33

Comments

3:00

Duration

KEY AI INSIGHTS
[1]High memorability and radio-friendliness are key strengths.
[2]Production quality needs improvement to enhance mix clarity and sonic signature.
[3]Engagement rate is decent but could be improved with a music video and social media promotion.
MUSICAL DATA
Tempo:120 BPM
Key:C major
Time Sig:4/4
MOOD ANALYSIS
Energy:50%
Dance:50%
Mood+:50%
PRODUCTION
Vocal:70%
Acoustic:50%
Innovation:50%
COMMERCIAL ANALYSIS
AI-driven assessment of commercial market potential and strategic positioning
RADIO APPEAL

9/10

90%

Tempo of 120 BPM is ideal for radio. 4/4 time signature is standard. The song structure (intro-chorus-verse) is radio-friendly. The 100% radio-friendliness score indicates a strong fit for traditional radio formats. However, the confidence level in tempo and key should be addressed to ensure consistency across different playback systems.

STREAMING

6/10

60%

HOOK POWER

8/10

80%

EMOTION

6/10

60%

RADIO & STREAMING FACTORS

RADIO FORMATS

Top 40PopHot AC (Adult Contemporary)

PLAYLIST CATEGORIES

Pop HitsNew Music FridayUpbeat AnthemsFeel Good Songs

VIRAL ELEMENTS

[1]Catchy chorus and memorable hooks are conducive to TikTok challenges or short-form video content.
[2]The 'Already Gone' theme could be relatable for breakup anthems or self-empowerment content.
HIT POTENTIAL & ENGAGEMENT

EMOTIONAL TRIGGERS

Lyrics about moving on or leaving something behindUpbeat tempo and major key create a sense of optimism

RELATABILITY

The theme of 'already gone' is universally relatable to experiences of change, loss, or new beginnings.The positive valence makes the song accessible and enjoyable for a wide audience.

COMMERCIAL METRICS

Commercial Appeal:75%
Radio Friendly:100%
Crossover Potential:100%
Streaming Potential:50%
Memorability:85%
Dancefloor Appeal:50%
MARKETING & POSITIONING

TARGET DEMO

Potentially a broad audience, leaning towards younger listeners (16-25) who enjoy catchy, upbeat pop music. The 50% danceability suggests it's not explicitly for clubs, but suitable for casual listening and radio play.

MARKET POSITION

Fits into the current pop landscape alongside artists like Dua Lipa, The Weeknd, and Olivia Rodrigo, but needs a more distinctive sonic signature to truly stand out. Needs to compete with highly polished and professionally produced tracks.

STRATEGIC RECOMMENDATIONS

MARKETING
[1]Emphasize the song's catchiness and memorability in marketing materials.
[2]Highlight the relatable theme of 'already gone' and its connection to personal experiences.
[3]Position the artist as an up-and-coming pop sensation with a unique sound.
OPTIMIZATION
[1]Refine the production quality to enhance mix clarity and sonic signature.
[2]Create a visually appealing music video to increase engagement and shareability.
[3]Develop a strong social media presence to connect with fans and promote the song.
[4]Target specific playlists and radio stations to maximize exposure.
COLLABS
[1]Collaborate with established pop producers to enhance the production quality.
[2]Feature other artists on remixes to expand the song's reach.
[3]Partner with social media influencers to promote the song to their followers.
TECHNICAL ANALYSIS
AI evaluation of mixing, mastering, and overall sonic characteristics
6/10

60% QUALITY

MIXING

Mix balance is adequate, but clarity could be improved. Vocal presence is good (70%), but the overall mix sounds somewhat generic. The 50% acousticness and 50% instrumentalness suggest a blend of electronic and acoustic elements, which could be refined for a more cohesive sound.

MASTERING

Loudness of -10 LUFS is within acceptable range for streaming platforms. The dynamic range of 1000 dB is unrealistically high and likely an error in measurement. A more realistic dynamic range should be aimed for to maintain punch and impact without excessive compression.

SONIC SIG

Currently lacks a distinctive sonic signature. The combination of acoustic and electronic elements needs to be more creatively executed to create a unique sound.

LOUDNESS & DYNAMICS
Integrated Loudness:-10.0 LUFS
True Peak:-3.0 dBTP
Loudness Range:8.0 LU
Dynamic Range:1.0 DR
VOCAL ANALYSIS
Vocal Presence:70%
Vocal Clarity:70%
Pitch Stability:80%
Auto-Tune Detection:20%
MIX CHARACTERISTICS
Stereo Width:80%
Phase Correlation:0.90
SNR:60.0 dB
THD:1.00%
EQ BALANCE
30%

low

40%

mid

30%

high

TECHNICAL STRENGTHS
Good vocal presence (70%)
Acceptable loudness level (-10 LUFS)
ENHANCEMENT OPPORTUNITIES
Improve mix clarity and separation of instruments.
Refine the balance between acoustic and electronic elements.
Address the confidence levels in tempo and key through more precise production.
Ensure dynamic range is within a realistic and optimal range for modern music production.
SONG STRUCTURE ANALYSIS
Metrics related to arrangement and flow of the song

STRUCTURAL METRICS

Total Sections:6
Unique Sections:4
Repetition Rate:33%
Variation Rate:67%

INTENSITY PROFILE

Build Intensity:5%
Climax Strength:10%
Resolution Quality:1%

SONG STRUCTURE

1.INTRO2.CHORUS3.VERSE4.CHORUS5.VERSE6.OUTRO

GENRE CONFIDENCE

pop:30%
country:30%
jazz:20%
rock:20%

About Shady Fat Kats

Artist Profile

Shady Fat Kats is a musical artist known for creating music that resonates with listeners. Their work in "Already Gone" showcases their ability to craft memorable melodies and engaging compositions that appeal to fans of musical music.

With 9.5K views on this track alone, Shady Fat Kats has demonstrated their ability to connect with audiences through authentic musical expression and innovative sound design.

Musical Style

Shady Fat Kats's musical approach combines musical traditions with contemporary production techniques. Their work often features 120 BPM rhythmsand harmonious arrangementsthat create an engaging listening experience.

Fans of Shady Fat Kats appreciate their ability to blend musical elements with modern sensibilities, creating music that feels both familiar and fresh.

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Frequently Asked Questions About "Already Gone"

What makes "Already Gone" similar to other songs?

"Already Gone" shares musical characteristics like 120 BPM tempo, harmonic structure, and musical genre elements with the recommended tracks. Our AI analyzes these factors to find truly similar music.

How can I find more songs like "Already Gone"?

Use our similar songs finder by pasting any YouTube music link. Our AI will analyze the track and find songs with similar musical characteristics, helping you discover new music that matches your taste.

What genre is "Already Gone"?

"Already Gone" is classified as various music. This genre is characterized by distinctive musical elements and cultural influences.

Is "Already Gone" popular?

Yes, "Already Gone" has achieved significant popularity with 9.5K views and 97 likes on YouTube, demonstrating strong audience engagement and appeal.