LONDON— Composer Harry Escott reportedly admitted to plagiarizing the acclaimed Devs score. Geoff Barrow, co-creator of the Devs soundtrack, made the accusation public. Escott allegedly copied the distinctive soundscape for the ITV series Gone. Barrow has a long history of calling out artists for musical theft. This latest accusation involves the Devs score. He felt his original work was clearly lifted. Escott, however, denied any malicious intent. He claimed it was merely a ‘cosmic echo.’ The composer felt the Devs score influenced him subconsciously. He stated he was channeling universal creative energy. He did not intentionally rip off the Devs score. He insisted the similarities were pure coincidence. The original Devs score was composed by Barrow and Ben Salisbury. It debuted in 2020. Escott’s Gone score released much later. Barrow shared screenshots of the alleged similarities online. He questioned the nature of artistic originality. He suggested Escott should have done more due diligence. Escott told reporters, ‘It’s all just notes, isn’t it?’
A History of Accusations
Barrow has previously accused several major artists. This includes The Weeknd and Phantogram. Lil Pump and Kanye West also faced similar allegations. Barrow consistently argues for artists to respect intellectual property. He believes sampling requires proper clearance. He feels his Devs score is particularly unique. It established a specific sonic identity. He argues that this makes unauthorized replication even more egregious. Escott’s admission, if true, would validate Barrow’s concerns. It also highlights the blurred lines in modern music production. Many artists draw inspiration from existing works. The debate over fair use and outright copying continues. Escott’s defense has drawn mixed reactions. Some see it as a flimsy excuse. Others find humor in the ‘cosmic echo’ explanation. Barrow remains unconvinced by Escott’s claims. He stated his legal team is reviewing the situation. He wants to ensure his work is protected. The Devs score is a significant part of its artistic legacy.
The ‘Cosmic Echo’ Defense
Escott elaborated on his ‘cosmic echo’ theory. He said, ‘My subconscious heard the Devs score. It resonated deeply. Then, the universe simply used me as a conduit.’ He felt no guilt. He believes inspiration is a fluid concept. ‘We are all connected through the creative ether,’ he explained. He sees no difference between inspiration and outright theft. He considers it all part of the same artistic flow. He plans to continue composing. He hopes future works will also resonate universally. Barrow stated, ‘I’m not sure the universe needs to sound exactly like my score.’
At press time, Escott was reportedly seeking a new career. He was considering becoming a professional astrologer. He believed it offered a more authentic channel for cosmic expression.
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